The Trick that Time Lords Know

thedorkknightreturns.com

“Miniature ponies,” I say. “Actual horses, yes, but very small.”

Several moments pass.

“What?” my realtor asks.

I can remember a time when explaining myself was embarrassing. When it felt rude to be strange. When explaining myself didn’t feel like a burden but an apology I owed the world.

I sigh.

I don’t feel that way anymore.

“Miniatures ponies. You have to have two. Horses are a herd animal. A single pony on its own would get lonely. And honestly, what kind of man could get up every day and stare a tiny little lonely pony in the face and deny it companionship? Especially if I get a rescue pony and it only has three legs. I can’t even imagine facing that sadness every morning. Can you?”

Several more moments.

I wait her out this time.

“Well… I’m honestly… I’m not sure if you’re allowed to have those there.”

I hadn’t been able to find a better answer online either.

“I suppose it was too much to hope for. I might have to get a hedge. Hide them from the neighbors. Keep them out of sight, out of mind. It’s not like anyone is going to arrest me for having tiny adorable ponies.”

There is a conspicuous absence of anyone talking.

It’s the kind of silence that says “I’m not sure what we’re talking about but for Christ’s sake, Andrew, please ask me a real goddamn question.”

Except I’m all out of actual questions. I had only wanted to know about ponies.

Why do people insist on being so… so boring?

I sigh. Again.

“We’re still about a month and a half away from closing on the house, right?” I ask, politely, even though I already know.

“Yuh-yes!” she says, relieved.

“Awesome. Talk to you later! Goodbye!” I say and hang-up my iPad.

I have a 4G Model iPad with Skype. It’s cheaper than a cell phone on a monthly basis. And it has the added benefit of making me feel like I’m from the future. I take my iPad back over to its charger and plug it in. I haven’t gotten a car charger for it yet, so I like to make sure it’s at full power in case I ever have to leave on a road trip unexpectedly….

I haven’t had to take any sort of unexpected journey yet, but it makes me feel sort of like Sherlock Holmes, Batman or Doctor Who to be prepared for that sort of thing.

You never know when adventure might strike.

I look around my room. I used to spend so much time cooped up in here, doing nothing. I’m not quite ready to pack yet, but it won’t be long. This room is the last thing, really. The last living remnant of the person I used to be.

There’s not much and a lot of it is garbage.

There’s the big plush recliner he’d broken with his big fat ass. I use it now mostly because it’ll be easier to throw it away when I move. There’s another bag of his old clothes I have to donate to the Idaho Youth Ranch. There’s the R2D2 garbage can… actually, I’m keeping that.

And the human skull replica I use to store my hats. That’s coming along too. And the books. The books and… some pens? Assorted stationary, actually. That’s it except for some shelves and the computer. That’s all that’s left from his whole entire life.

My stuff is in another pile. The yoga mat. The hiking backpack. The push-up bars. The ab wheel. The life-vest and the kayak paddle. The CIA guide to lock-picking. The two bokken I use when I pretend to kill ancient Nipponese peasants with ever-increasing levels of imaginary efficiency. I got a DVD to help me start out and then got frustrated and started making stuff up on my own because I couldn’t find an ambidextrous Samurai training video. It’s okay though, because I just do it for exercise anyway seeing as how killing people randomly is frowned upon these days.

There will be more things when I get the house, I promise myself. The ponies for a start. It might take me four or five months to save up enough for them. But they’ll be coming along. And a workshop. I’ll build that up a few pieces at a time, the same way my grandfather built up his workshop. A place to exercise, definitely. And… a piano! I’ve got to learn an instrument and I can’t do that here because of the noise. Also, I’ve promised myself to study one language every year starting in January and ending upon my death. I’m going to learn them most common to least common.

I decide, because there’s nothing better to do, to do some push-ups. And then some sit-ups. And then stretch. I look over at my recliner sitting there like a busted bear trap. Menacing but without the power to hurt me anymore. To think I used to spend all that energy hating and feeling sorry for myself!

And the books! Two books a year! A short-story every month!

I am going to break keyboards with the words pouring out of me.

I’m going to figure out how to be a full-time writer by twenty-nine. That’s my goal. That’s my primary focus in the new house. When I can go six consecutive months of paying the bills from writing, I’m quitting my job and focusing full-time. Of course, it may never happen, but then again: I WILL have VERY small ponies.

And a wife! I am determined to find one of those. Or maybe not find. That’s not the way to get a wife and that’s not how love happened the last time. And maybe not a wife, if the woman I happen across happens not to believe in marriage. The trick, I think, is to be open. To be open and unafraid and vulnerable. To be honest about my attractions and bravely pursue them. And to (slowly! slowly!) give part of my soul to someone else while (and this is important, as this is what I missed last time) they also give part of their soul back to me.

I will feel connected to the universe again.

I will.

I will know that feeling that again.

Also, I think as I do another round of sit-ups, it will not hurt to be more attractive this time.

There are tiny dragon creatures Indonesia. When I happen across my future companion, I will go there with her and we will look at these tiny dragons. We will make love in a tent while these tiny dragons scamper around outside. We will… well, best not to put too many expectations on someone I’ve never met.

She might have very different ideas than me about tiny dragons and I need to be open to whatever her wrong opinions might be.

I grunt as I switch to one-handed push-ups. I’m really horrible at these still. It’s okay to be horrible at things, as long as I keep trying and working until I get them right. That’s the real trick to life, I think. Don’t ever concentrate on being good or you’ll get frustrated and give up. Concentrate on being better and eventually you’ll become good.

But she’ll like that joke about the tiny dragons, I think, this woman I don’t know.

I need to go for a run soon. I like running.

I used to run because I was afraid to stay still, but now I run for the love of it.

It is still strange to me, sometimes. How I can simply will myself to be happy. I never used to be able to do that. Something deep has changed in my brain and I’m still dealing with all the implications of that.

He used to wonder why he was miserable all the time, the fat man I used to be about a hundred pounds ago. And the subtle but simple answer was because he was miserable all the time. He came along with himself wherever he went, so of course he was miserable. His whole way of looking at the world was wrong, so wherever he went he saw wrongness.

The soul, I’ve found, is a lens. A lens through which we see the world but also a lens through which the world sees us. The lens through which our experiences are transmuted into the memories that make us. The trick to happiness therefore, isn’t to change your circumstances. The trick is to get your mind right. Get your mind right and every living person becomes another way of looking at the universe, and therefore another universe. Every waking moment becomes a poem of sensation. And every interaction with another person becomes a chance to grow. To change. To be better than you were before.

Every day.

Those are the only real kind of miracles, I think. The ones that happen every day that people never think about because human beings had to invent boredom so they don’t spend every waking moment in terrified awe of the universe. I learned that from a Terry Pratchett novel and it has struck with me. Get your mind right and you can choose to see the miracles in even the worst situations. Get your mind right and bad things may happen to you, yes, and you may feel sadness but… sadness will never defeat you. If your mind is right, sadness, even real deep appropriate human sadness can only ever become more strength.

I will have a house. And miniature ponies. And a piano. And a shop. And a bunch of foreign language courses. And some books. And some short stories. And some novels. And a companion. And a family of my own.

And! And! And! And! And!

I am running.

I am running toward all of it.

Back

The thing about dying is that it feels the same whichever end of it you start from.

“What did you say?” Dude asks.

“Nothing. I was being melodramatic.”

I must have mumbled it aloud.

“Also this is delicious,” I say around the cigarette in my lips.

“Yeah, you’ve been missing out.”

It’s true. Not just that I’ve been missing out, but the other thing. Dying is just a transition. Live to dead. Dead to live again. It doesn’t matter which end of it you start from. Dying feels the same at both ends.

That sentence has been niggling at the crevices of my brain for the past several months, and I ponder it as I smoke a cigarette outside of Mac’s Tavern with my long-time friend and childhood companion. I think about repeating the sentence, explaining what it means to me, but concentrate on smoking the right way, instead. The way Dude has shown me.

“Make sure you don’t just hold it in your mouth, you’ve got to get it down into your lungs.” Dude tells me.

I nod to show understanding and let the smoke down into my chest. Feels good. Very good. If I were a cat, I could purr.

“Is it usual not to cough?” I mumble.

“What?” Dude asks.

“Is it usual not to cough?” I ask again.

“For Aberdeen or for the rest of the world?”

We laugh.

I’ve always mumbled and it’s got to stop. I know I’ll end up throwing my voice away, someday. The same way I’ve already thrown so many bits of myself away. I’ve looked into it and it’s possible. There are some voice lessons I can give to myself on youtube. They look promising. I just need the time and the privacy. And I need to know more about the man I’m becoming. I need to know what he’s supposed to sound like.

There are all kinds of things I still don’t know about myself.

The cigarette is gone too soon. I look at the remaining filter with what I am surprised to find is regret. The first time I drank, I thought it was okay. Certainly nothing to go crazy over. And it had destroyed all of my stupid childish concerns that at my first sip of alcohol I would somehow abandon all self-control. I will have to be more careful about cigarettes. This is like painting houses with uncle Mike and breathing his secondhand fumes all over again. It’s youth and summertime and carefree hours walking outdoors. The whole world is becoming sharp and crisp. This cigarette is wonderful. This is what the air tastes like in a sexy libertarian hell.

Dude and I grind our cigarettes out in the ash tray and go back into the tavern.

We rack up some balls and grab some cues.

Dude has killed me in our previous three games. I hadn’t even managed to sink a ball in our first game. The next two had been little better. I haven’t played since the sixth grade. It used to bother me when I lost at games like this. But I’m not that man anymore. That man died. I decide to be good at Pool.

I miss my first two shots but I am unfazed. I realize the error is that I’m insisting on using my left-hand even when the right would be easier. That old crutch. I think I’m beyond that now. I decide that I will use whatever hand is easiest.

“When the fuck did you become ambidextrous?” Dude asks.

“June.”

“No shit?”

On a whim, I show him the scary thing I can do. The thing that makes me feel like I’m tearing my brain in half. With one hand I write “Dog” while at the same time my other hand scratches out the word “Cat.”

“Looks like you’ve had a lot of time on your hands.”

“You could say that.”

After that the game is perfect. I sink all the balls one right after another. It doesn’t feel like a big deal. In fact, it probably isn’t. I do it matter-of-factly though, not caring that my luck just happens to be in.

“Where the fuck did that come from?” says Dude.

I shrug. I don’t know where it came from. I don’t even really know where I came from. I think I started out as a joke. A joke about an Evil Twin that a sad, asthmatic, right-handed, myopic, fat man made up to save his life. Recently, I have begun to suspect that I must have been here all along. Somewhere hidden.

“You got time for another game?”

“Nah, I got to get up early tomorrow for the funeral.”

I make my excuses, hug my old friend, and leave for the parking lot. I do have to be up early, but it’s also kind of nice to quit while I’m ahead. Throwing away your crutches is a great idea, but it’s exhausting.

A girl I knew in high school approaches me as I exit the tavern.

“Hey you,” she smiles, “I haven’t seen you in a while.”

“Hey yourself! It has been a while, hasn’t it?”

Women used to make me nervous. I don’t know why. I can barely remember when that was true. It seems so silly now. They’re just people. Regular ordinary everyday people. And just like most men the majority of them are very boring and easy to understand. They’re just other humans. Why was I never able to see that before?

“Where are you going?” she asks.

“My brother’s house. I’ve got to get up early for a funeral tomorrow.”

“Oh,” she says and frowns.

“Nice seeing you though.”

I give her a hug and tell her goodnight. She’s drunk and on a bicycle with a bottle of beer in her hand. Very Aberdeen of her. Some guy who is probably not really her boyfriend, but who hangs around her all the time and is close enough to a boyfriend that he doesn’t like the way his girlfriend hugs me, gives me a black look. I wave and flash a smile.

“You look good!” she says.

“You too!” I shout back.

I can tell the guy wants to flip me off, but thinks it wouldn’t look cool.

I shake my head and chuckle. To each their own, I guess.

I try to whistle as I stroll to my car.

Still can’t get the hang of it for some reason.

Oh well, another thing to change.

There is a quiet moment in my car before I start the engine, where I lick my lips and look at my reflection in the rear view mirror. It still surprises me sometimes to see that not-my-old-face there. But not as often or as deeply as it used to.

It strikes me that I’ve forgotten to think of something today.

What was it?

I look at the clock.

Oh yes. That.

It’s been over twenty-four hours.

Huh. Strange how now that it’s finally happened, it doesn’t even feel like that big of a deal. One whole day. Finally.

“Dying feels the same whichever end of it you start from,” I mumble.

No, say it right.

“Dying feels the same whichever end of it you start from.”

Clear. Crisp. Distinct.

Live to dead. Dead to live again.

It all feels the same.

I lick my lips and try to whistle.

Back

“So, you still want to die?” Josh asks.

We slide into a booth at the back of the restaurant. Josh picks up his menu. I leave mine on the table. I hate menus. They defeat the entire point of going to a restaurant. Of living, really. I have decided this… right now.

“No, I’m past that mostly. So maybe just a little. Hey, speaking of dying, do you want to go sky-diving with me? I’m thinking about going next year.”

Josh looks up from the menu, affronted in his affable red-neck fashion.

“Why the fuck would I want to jump out of a perfectly good airplane? Keep your crazy shit to yourself. And why in the hell would you want to do something like that in the first place?”

“Because I’m terrified of heights.” I actually don’t know if that’s true anymore. I guess I’ll find out.

Josh shakes his head and turns back to the menu.

“Whatever. Just make sure you don’t kill yourself, bud.”

The waitress comes and she smiles at me. Not a flirty smile, but a smile that says she’s noticed me. I’ve been here dozens of times, but not since the change. I can tell she doesn’t recognize me. It’s shockingly common for people not to recognize me. Or maybe it’s not that people don’t recognize me so much as they never even noticed me before.

Josh orders a burger and fries.

I hand the waitress my menu, unopened.

“Bring me something to eat and something to drink, please.”

“What’s that, sir?” she asks and I can tell she doesn’t understand.

I can hardly blame her. A daily grind has its own kind of inertia and it’s hard to move against it. I know that better than most.

“Just bring me something. Anything, really. I don’t care.”

“Oh, Christ. Just order something off the damned menu,” Josh mutters.

“Actually, bring me some seafood.” I open up the menu, having snatched it back for a moment, and without looking at anything under the section that says ‘Seafood’ point randomly. “Bring me this please.”

The waitress gives me a nervous grin and leaves.

“When did you start eating seafood?”

“Since right now.”

“But I thought you hate fish.”

“Yes. But I’m not going to let not liking something prevent me from deeply enjoying it.”

Josh gives me a long look and a slow nod.

“Just be careful, okay, bud?”

Josh is a good man. It’s hard to explain what happened to me. I don’t even understand it myself, not really. But the person I used to be is gone. He evaporated. He died. Or maybe I carved him away, and I was something secret he had always been underneath.

Light came into my life and then light left, but when it had gone I was not alone in the darkness.

“I need you to teach me how to shoot guns, too.”

“Why the sudden interest?”

“Because I’m afraid of guns, I think.”

Back

I feel like I’m sitting six inches to my left and I can’t stop smiling.

There’s a big old dog tied to a tree in front of me, and I want to give him a big old hug and kiss him on his big old stupid mouth. I would bark at him and run up and hug him if I were in less control, but I have managed to regulate my intake. Although it might be nice to wrestle with him and let him lick my face and neck. Four beers only, and this is already further than I have ever gone. God, I’m a lightweight.

“Hey, get another Corona for my friend!”

Jeff, my co-worker, holds a fiver up in the air.

So this is being buzzed? It feels more like there are bubbles in the back of my brain, flying around and humming like bees, striking the back of my skull and popping, but in a non-aggressive and happy way. Actually, bees buzz don’t they? Yeah, buzzed makes sense. Buzzed is a word that makes sense.

I laugh.

“How the hell did you get through high-school and never get drunk?” Jeff asks.

I have no answers other than to smile and raise my eyebrows apologetically. But they seem insistent, so I try to find one.

“I was always looking after my little brother and sister when other kids were out experimenting. By the time I could do it, I guess it seemed too late.”

I’ve gotten so good at giving these polite answers that they’re actually starting to feel like they’re true. I have to go searching for the fat man’s pathetic excuses.

I almost have to imagine what he’d say, because I’m not him anymore, and even his ghost is almost all the way gone.

The fat man would say: I listened to my step-dad beat the shit out of my mom while I laid awake and did nothing and felt like a coward too many times to feel that getting drunk wasn’t the worst human evil imaginable. And then the fat man would tell a giant lie and say “And I LIKE being myself, why would I want to feel differently?” as he ate himself to death and let his life slip by while he daydreamed and giggled to himself and masturbated.

I snort at the fat man’s excuses.

I am not my step-father, and how had I for one moment even entertained an opposite notion? I would never hit someone who wasn’t at that moment trying to hit someone else. Now, I know how to relax and be in control at the same time. And I do NOT sit in that fucking room all goddamn day long, daydreaming about how I’m somehow magically going to become famous.

“No more after this one, okay? I feel silly enough as it is.”

“Come on man, don’t you just want to get sloppy?”

We both laugh, as I explain I already feel a little sloppy.

“I think I’m good with this.”

And because I am strong and not weak, no one pushes any harder than that.

Life became so much easier when I started to sound like I was sure of myself. No, when I BECAME sure of myself.

“Hey, are you good to paddle back? We can’t load the kayaks from here.”

“Yeah, I’m good.”

I stand up and realize I feel dizzy. Not a lot dizzy. But noticeably dizzy.

Maybe I’m not good?

Well, it’s not like I’m driving.

My kayak is a fourteen footer. A touring boat. I bought it online one night in the heat of the moment. Bought it before I could even fit in it, but even then I hadn’t been the fat man. I’d just been me, with some extra weight. The fat man would have never bought a kayak. Still, it is very difficult to stay upright even sober.

“Race you to the other side?” I ask with drunken bravado.

“You’re on!”

When I’m in the boat and pushing myself out into the water, I almost tip over the second my bow (or whatever that part of the boat is called) loses contact with the shore. I’d be fine if I did fall over. I’ve got all the safety equipment I could ever conceivably need and I can get in and out of my boat in a pinch now. But I’m in a race.

I regain my balance somehow, paddle up to speed, and drop my rudder. My friend is an eight footer. It’s not even close. I overtake him in a few minutes that leave my arms and chest warm and puts a big old stupid dog grin on my face.

I’m all alone in the middle of the lake. The great big lake. And everything suddenly seems so far away now. The ghost of the fat man always comes to me in these times, when the rest of the world is far away.

There was a different lake once. He’d made plans about that lake. And he was going to go there and something was supposed to happen and he’d bet his entire soul on it happening even though, deep down in the part of him that was me, he’d known it was never ever going to happen. And now here, on this lake, the fat man’s ghost remembers.

I dig my paddle deep into the water. Deeper than I really should, and I pull it back like I’m trying to throw the entire lake up into the sky with my paddle. I almost lose my balance and it’s got me laughing crazily, because I’d never be able to get back into my boat out here and I’d have to swim a mile back to shore holding my rigging in my teeth. And that would be a hilarious story. A fun and okay story and not all scary. I dig my oar into the other side and repeat. And I start to go fast.

I start to go very fast.

And then the words of Pippy Longstocking’s sea-captain father are on my tongue and I sing them for the whole lake to hear.

“Life is a breeze we live it for fun! No apologies to anyone! We live on the seas! We do as we please! From stem to stern each moment is now! Life without concern from aft ’til bow! We live on the seas! We do as we please!”

Bow! That’s what the back part of the boat is called! Or wait, is it the other way around?

And who cares?

Not me.

I repeat the words, in a loud drunken sea-captain voiced mantra.

I paddle fast enough that the ghost of the fat man is far behind me when I arrive on the other shore. He is a weak ghost now. It is getting harder and harder for him to follow me. He’s starting to accept that he’s the loser in this prolonged dying. He’s starting to accept that whoever he was, he isn’t me. Not anymore.

Yet still, what I wouldn’t give for a single day to go by and not have the ghost of him haunt me?

Back

I’m not exactly sure if this is a date, but I’m certain I don’t really care one way or another because I’ve already decided from the get-go that I do not want this to go anywhere. It was very easy to decide that. I’m just here to go out and have fun. To do something I would never normally do.

And to betray the memory of something that wasn’t ever even really mine.

“You doing okay?” she asks.

I catch myself trying to adjust glasses that aren’t there. I must have looked awkward for a moment. It happens sometimes. Like when I make fat jokes about myself that don’t make sense anymore.

“Yeah, no worries.”

I decide this is one of those things where we’re conspicuously “not-on-a-date” but that if I decided it were a date, it would probably be a date. But if not, then we’re just out as friends and no hard feelings. I pick up a bowling ball. Left-handed.

I can write pretty well left-handed, but everything else is still hard. And yup, I gutter that thing right away. How embarrassing. Or no, who cares? I don’t care. The fat man would be embarrassed, not me. Still catch a blush on my face, though.

“Ouch. Been a while, hasn’t it?,” she says.

“I’m luring you into a false sense of security,” I say.

I get progressively better as the evening goes on. The trick is, I’ve found, not to even let yourself imagine doing anything the way you used to do it. Imagine doing EVERYTHING differently and it eventually becomes natural.

I flirt politely, and I’m surprised to find, well. It’s amazing how easy this is once you’ve already decided nothing is going to happen. And also amazing how attractive you can become to a woman when, against all logic, you decide that she can’t have you. Women are asking me out more and more often because of that, I think. Women asking ME out. Very strange. I’ve got to get better at being natural and normal around women, since none ever spoke to me when I looked like a child-molestor.

And an old lady I work with, who is one of those “Everyone’s Grandma” types keeps asking me why I am not married. She never spoke to me before I transformed. Then again, no one did. Not really.

Got to be careful not to let it go to my head.

The other day at work my old boss told me I was looking good, before she promptly walked into a door. I’d walked away feeling like I was nine-feet tall.

I work my way up to spares and strikes by the third frame. You can do anything if you just keep pushing yourself. Never stop pushing, that’s the key. You have to get comfortable being uncomfortable. You have to be unafraid to look at what you really are and smash it all to pieces moment by moment.

“False sense of security, eh?” she says.

“Told you,” I say.

Back

“After all this time?” asks Dumbledore.

“Always,” says Snape, on someone else’s television.

I knew I shouldn’t have risked talking to someone tonight. I knew it, but hadn’t listened to the instinct. God damn me. It’s the Fat Man who ignores his instincts, not me. I’VE got GOOD instincts.

“I’ve got to go,” I say in a rush.

“Why?” she asks.

“I’ve just got to go. I feel like a run.”

“Uh, okay.”

Pretty girl. I barely know her, but she’s pretty and she’s smart and she’s interesting. I talk to pretty girls now when they’re also smart and interesting. That’s something that I do. It’s only mostly terrifying.

The Fat Man’s ghost is strong tonight. He takes Snape’s single word and uses it as an attack on my entire existence. This would not be so bad if earlier Judge John Hodgman hadn’t insisted that “You can’t demand that someone not want something!” in a way that had left me feeling like I’d been punched in the stomach. Because isn’t that exactly what I am doing? Am I not exactly demanding that I not want something? Am I not changing EVERYTHING about myself to make that be true?

But is the part of me that wants that even me anymore?

It makes my head hurt, this joke I have taken into my soul like religion.

You CAN make yourself not want something, I decide. You can make yourself BE anything, and I know that because I used to be somebody else and he died. He DIED, and even if he won’t accept that, he’s still dead. He’s only a GHOST.

He lost his soul, but it was okay because there were other souls.

There was MY soul.

But I’ve still got to go.

I’ve still got to MOVE.

I stumble around picking up socks and shirts and shoes. These are special clothes for running. The Fat Man never had special clothes for running. He had great big clothes like ship sails that he put over himself to cover his shame. Every few months I take a load of them down to the Idaho Youth Ranch like shed snake skins.

I’m pumping my legs the second I’m out the door.

The wind blows over my long silky hair. Silky because I have a special shampoo I use now. The Fat Man used to lather his hair with hand soap. I regulate my breathing. My feet clap on the pavement.

The Fat Man couldn’t run a mile. Couldn’t run a quarter mile if you put a gun to his head. The Fat Man had asthma and a list of other excuses for never doing anything.

I don’t have asthma. I had a problem that I overcame, and it’s behind me now. I beat it by spending months in the gym, keeping my heart rate ten beats a minute below what I knew would trigger an attack and keeping it there for hours on end. I got rid of my asthma by making it symptomatic only in conditions no human being could ever actually encounter. So I don’t have asthma and fuck you Fatty.

Fuck you, Fatty!

It’s wrong to even acknowledge him, probably, but I am angry.

I am FURIOUS that these kinds of things are still happening to me even after five whole months.

It’s a summer night, hot and humid. The sprinklers turn on in the business parks I run through. They spray me and I am not ashamed. Only the Fat Man had to fear the way his clothes would cling to his body. I don’t.

The Fat Man could not run one mile. I’ve run five miles by the time I reach the place by the canal where the hills rise up and swallow the lights of the city, and stars stretch out for infinity in every direction, and I cannot run anymore.

“If you were good and brave you would be like Snape,” The Ghost of the Fat Man says. “You would grow angry and bitter and fatter but the one thing you would never EVER do is make yourself stop wanting what I want. You would be LOYAL to the thing that was never even yours. You would LOVE the person who never thinks of you, not ever. You would care and keep caring and only think it was more noble that no one ever cared about you in return.”

I cannot run anymore

But I run anyway.

We are more than meat, we humans. We reached out of the page, stole the pen from God’s hand and became our own authors. I believe that. I have CHOSEN to believe that. And perhaps believing in Free Will makes Free Will true. Nothing that is meant to be can be broken, not because fate is real, but because nothing is ever meant to be.

I sprint.

I fly.

I become the great ubiquitous dark of this stretch of road, and I move through it like a silent wind.

And finally I puke, standing on my knees, hands in the dirt, right into the canal. But I do not cry. Surely that is some kind of victory. Surely not crying means this is somehow all okay.

I am barely hanging on.

But I know what the Fat Man did not.

I know that barely hanging on is still hanging on.

Bile races up my throat again. After the moment of transition, it floats away in the canal water.

Back

You can buy a whole new face on Amazon Prime.

The links roll into me through my googlechat window.

My new face is going to run about $55, if you include the tweezers. $80 if you include the consultation I’m having right now with my friend and personal Face Witch. There’s a science to grooming yourself, apparently. I’ve accepted that it isn’t really sorcery so I suppose all I’ll have to do is figure it out. Still, it FEELS a bit like sorcery. You shouldn’t be able to cheat nature like this.

I type some more questions about exfoliation into the googlechat window.

Apparently, if you exfoliate too often you’ll ruin your skin. The easiest way to exfoliate is to rub your skin with sugar dissolved in oil. There are products specifically for this, but they will be no better than oil and sugar. Once every four days for best results.

There are cleansers specifically designed for your face which are presumably superior at cleaning your pores than bar soap. It is a staggering and wizardly amount of information. Especially when we begin to delve into topics like how best to deal with ingrown hairs. There are liquids I can put on my face for this too, instead of digging into my head with tweezers. In fact, there’s a whole process.

My Face Witch knows all. Even though I know this is a skill I can eventually learn, I imagine her across the country, standing over a cauldron muttering spells beneath her breath as she goes through the pages of her Grimoire finding the products that will work best for me. She is a mighty Face Witch and my people will sing of her name for a thousand years.

I want to know about waxing.

She advises against unless I am into pain.

I sort of am, I admit. Physical pain, at least.

She still advises against it.

A few clicks later my products are on their way. A few weeks after that I look like I’m ten years younger. I’ll have to train myself to stop being surprised when I look in the mirror in the morning.

On multiple occasions, I am told at airports and by police officers that I have to get a new driver’s license. I don’t look enough like my picture for it to be valid identification.

Back

I move my mouse to the left side of my keyboard. I move my water bottle to the left side of the keyboard. I move my pen and paper to the left side of the keyboard. I keep moving things to the left side of my keyboard until my desk is a chiral image of its past self.

The Desk of the Fat Man’s Evil Twin. My desk.

“I read online that the key to changing your handedness is just practice. Just as simple as that. They say it only takes two weeks. Just two weeks, can you believe that?”

I tell this to Sara, the girl who sits behind me and is sort of but not really my friend. I don’t think she really cares and I don’t blame her. This is just work talk to pass work time.

“Why do you want to change your handedness again?” she asks.

Because if I’m doing something that takes all of my attention, that means all of my attention isn’t focused on my memories, my stupid dreams, and the pain, The Fat Man says. It means I won’t break down crying in the middle of the work day.

I shrug instead and say, “It’s something to do.”

I open my water bottle left-handed, pondering the dent I’d put in it.

It’s a big dent.

Oh yes, I need something to keep me occupied. That dent is not good. Not good at all. That dent is a story-book example of not-good-anger.

Someone had been talking to me about not understanding pain (one of those things people say and which we are probably all guilty of, when we want to believe our own stories are unique), and I’d nodded and been polite and said all the things I’d been supposed to say and then I’d looked down at my water bottle and I’d crushed it in my hand. I’d gotten a similar water bottle at the store, to see if I could do it again.

I hadn’t been able to.

I blame the Fat Man. He possessed me.

The Fat Man used to be strong enough to possess me, but not anymore. I’m going to cut off his good right hand, and make myself master of a new hand.

I pick up a pen left-handed, and begin to write the alphabet one slow letter at a time.

It takes a lot of focus.

Whole minutes go by where I don’t spend every last molecule of brain power I have thinking about how much it hurts. I haven’t even seriously considered getting a plane ticket and rushing off for almost two months now. That’s got to be some kind of victory.

But I need to stop being sad and angry.

I have nothing at all to be sad or angry about.

Nothing was promised. In fact, quite the opposite. The only thing they’d done was pretend for a bit, maybe even to themselves. And they were not culpable for any of it, not really. So I have absolutely no right to be sad or angry about that. Now I just need to make myself believe that.

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Over and over all left-handed.

You CAN change what you are. You CAN.

It’s just that the price is so high most people can never bring themselves to pay it.

When everything has to change, there’s only ever one price no matter who you are and that price is everything you’ve got. Everything that makes you yourself. All of it has to go. All of it.

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Back

“What’s the significance of the buffalo, and do I really have to hold it?”

I’m sitting on a table, holding a child’s stuffed buffalo toy. Just behind me a team of three doctors are inspecting a surgical laser. I squint at the buffalo because my glasses are in my pocket. I can’t find a tag. It’s an off-brand stuffed buffalo. I look back at the laser, admiring the contrast.

“No significance, and yes, you do have to hold it,” says the doctor.

A nurse in a white surgical mask puts her gentle no-nonsense just-do-what-I-want nurse hands on my shoulder and forces me to lay down. I hold the buffalo in my lap.

“We can’t have you fiddling around when the laser is in your eye, sugar,” she says in her politely sweet no-nonsense shut-up-now nurse voice.

I shut up and do what I’m told. The buffalo’s eyes are hard plastic discs in my palms as the laser is brought over my face. They move it close to my eye. It’s like staring up into the belly of the spaceship from Close Encounters of the Third Kind. I release the buffalo. I don’t know if I’m really not nervous or if the valium I took half an hour ago is actually this effective. Oh well. It doesn’t matter.

“You can’t feel this, correct?” the surgeon asks as he pokes my eye with a finger.

“Nope,” I say.

“Okay, just make sure to stay still.”

And then he puts the things from “A Clockwork Orange” in my eyes and I can’t blink anymore. And wow… I can smell the tissue burning. I didn’t think I would actually be able to do that. I read online that I would be able to smell it. It doesn’t hurt at all, but still… it’s kind of cool.

After the corneal flaps are cut they put me under another laser. I see blue red and yellow. All the Superman colors. I used to be Superman. Or something. I had a little symbol with my initials on it and everything… or no. Not my initials. Someone else’s. He wore glasses. I won’t ever wear glasses again after this, unless they’re sunglasses. Or maybe reading glasses when I get old.

“Blink blink blink,” I’m instructed as the nurse helps me off the table, with my eyelids now free to do as they’re told.

“Oh cool,” I say, and I am astounded.

There’s this weird white glow around everything. It’s freed collagen. It will go away in a few hours. But for now, I know this is what heaven must look like.

I go home and take a nap. When I wake up, the worst of the scratching they’d told me to expect is over. I walk outside and take a few hours to stare with sunglasses on. At everything. Every fifteen minutes my vision seems to improve. Every fifteen minutes a new miracle to behold.

It’s all so beautiful. All of it.

It’s night time again before I realize I very badly want to know one person’s opinion of what I look like without glasses. One person over all others. I grab eye-drops and go for a long walk, staring at the world without a lens to filter it. It is the night-time world now and all the streetlights are surrounded by halos.

Every star is surrounded by a ring.

It will go away in time, when I finish healing.

Everything goes away in time.

Everything.

I hope.

Please?

Back

I’m crying in the middle of a Fred Meyer parking lot. Oh God, I’m sobbing so hard I don’t even care if anyone sees. I hurt. I hurt so bad I can’t hold it all in, my cup runs over, and the sadness spills over the sides of me and out of my eyes for all the world to witness.

I have never felt this low in my entire life.

Katy Perry.

Katy. Fucking. Perry…. Has just spoken to me.

Katy Perry has touched my heart and known the depths of me, and oh how that stings.

Who cries to a song by Katy Perry?

Worse, who cries out loud and feels that Katy Perry is singing for them?

I do apparently.

Or he does.

Who can care about stupid bullshit like that when it hurts like this?

It hurts it hurts it hurts!

It hurts that I hurt. I’m exhausted with hurt. It hurts that I am the kind of man who sits in a car in the parking lot of a Fred Meyer and cries to songs written by Katy Perry. It hurts that I’ve never wanted anything and even though I WANT this dream in my head so bad I’d chop off my own hand and murder the world to have it, I still can’t have it. Not ever. There’s nothing to be done. And it hurts that I had to be the one to take it away from myself. It hurts to know that I am a pouting child and can’t seem to move one. I catch sight of my reflection in the rear view mirror. If I were a girl with mascara, I’d have giant runny raccoon eyes.

And Katy Perry won’t stop singing.

I have some kind of weird gaspy asthma attack before I realize that I’m….

Laughing?

I’m laughing and crying at the same time, caught in the grips of some ur-emotion, and if anyone saw me I’d be arrested for sure. They’d call the men with the butterfly nets. I’m in the grips of some emotion so big that you can’t even feel it all at once, and can barely remember feeling it when it’s gone, and I can’t stop myself from making either sound.

I’m crying because the person I used to be is dying, he’s scrambling for any sign, any memory that might mean someone is going to come and save him, anything he can hold onto and he’s falling and he knows there’s no hope.

He was nothing more than Kleenex, and oh how that hurts him. The whole thing he’d wanted his whole life to be about… it was never more than a person with a cold blowing their nose. And it is breaking his soul to know this is true. There was never anything coming back to him like what he had given out.

And I’m laughing because I’m being born, and the world is as awful as it is full of awe. I’m laughing at the sad Fat Man who has not laughed or even smiled for three whole months.

I’m laughing because I’m NOT him, and that’s not just a lie I’m telling myself. Not anymore. I am SOMEONE ELSE, and there is horror in the mind of the dying Fat Man to know that he is being subsumed.

After three eternal minutes, the laughter wins out over the tears.

I’ve passed some kind of tipping point.

I’m winning now.

I don’t know what.

But I’m winning!

Back

It’s another bad night.

They’re not happening as frequently as they used to, but when the lightning started I decided for no particular reason to go out for a run. That’s stupid, I know, but at least this time I don’t take anything metal. I did that last time. Or maybe the fat man did. I don’t know. But obviously I still must think it’s kind of a good idea to get struck by lightning because I’m still going out.

Time to warm up and stretch first. At least this isn’t urgent, like last time. But so stupid. You’re not supposed to run outside in a lightning storm.

I fall to the ground and do some push-ups. Then some sit-ups.

And melodrama of melodramas, I’m reciting Invictus.

“Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

“In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

“Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

“It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.”

I stretch for a few quiet minutes, and then I am out the door running. My glasses are covered in rain and dirt in moments, but my feet have memorized the path now. So I run with my hair parted to the left instead of the right and I do not worry for my safety.

There is a secret of pain that I know. I learned it from the life of Teddy Roosevelt.

I am obsessed with Teddy Roosevelt because of this secret. Not because he won the Nobel Peace Prize. Not because he won the Congressional Medal of Honor. Not because of well… everything else. None of that impresses me so much as this one single thing.

On the same day in 1884, Teddy Roosevelt’s wife and mother died. They died and something precious went forever out of Teddy Roosevelt on that day. He moved out West, to a ranch, and… he did not die.

He. Did. Not. Die.

He must have wanted to die. He must have. He must have wanted death every second of every day. But he did not die. He did not!

Instead, he became the Teddy Roosevelt who would one day become president of the United States. He transformed. He became someone amazing.

Yes, there is a secret to pain. And now I know it too, and I think of it as the lightning strikes, and some small but significant part of me hopes one of those bolts finds its way into my heart.

And that secret is this:

If it hurts to stand still, never stop moving.

There are a thousand tiny things that made the Fat Man himself.

I will smash all of them apart and become someone else.

Someone better.

It is not that I’ve lost my way, I realize.

My way is broken.

But I will find a new way forward.

A new soul.

I must.

Back

He doesn’t know why he saves the worms. Or if he does know, somewhere deep down, all he lets himself know is that the idea of leaving a worm to fry in the middle of a veritable cement desert is unbearable when saving them is so easy. So he squats down, as far as he can squat down with a gut like his anyway, and he picks up the worms and gently throws them back into the grass.

The worms come up top to fall in love. To mate when the world is moist and their skin can exchange oxygen ideally. But Idaho’s weather is fickle and in the summer the rain can evaporate very quickly. There are already bloody carcasses from worms he did not catch in time. Oh well, he will save the ones he can. It only takes a moment.

He throws the worms in a pile, so that in the trapped moisture of the grass they can fall in love and mate as they had intended. So they can live their happy little worm lives and have happy little worm babies. Once done, he brushes his hands clean on the insides of his pockets.

It is a good thing to save worms.

Or at least saving worms used to make him feel good. It used to make him feel very good somewhere deep inside. It used to make him feel like he’d made the universe RIGHT somehow. But today, there’s the sense of an unfilled emptiness. The knowledge of a problem which cannot be corrected. The premonition of something… wrong.

No one cares about worms, he realizes. Including, and this makes his stomach twist, worms.

He suddenly feels very alone out here on this stretch of road. Very aware of how small he is between the Earth and Sky. For a moment he can sense other minds, each one of them a universe and each mind as important as his own. He is Awake, as people are not meant to be awake. He is Awake, aware of his own unimportance, small and alone, and something very bad is going to happen to him. Something very, very bad.

It’s running toward him, it’s going to fall on top of him, it’s going to crush him and grind him into nothing.

And he cannot tell what it is.

He staggers on, leaving the worms, adjusting his glasses as he does when he is nervous. He fiddles with things when he is anxious, and eventually he fidgets and fiddles enough that he forces himself to fall back asleep. Shuts out the size of the universe. Shuts out the honest view of himself he cannot bear to think about. He’s very good at making himself fall asleep. Most people spend their whole lives without ever having to be really awake and he is no exception. At least not yet.

He is going to go to a library, intending he thinks to write, but actually just so he can sit there and feel unproductive somewhere other than his home. He always feels uncomfortable lately, and he knows going to to the library won’t change this, but at least it will allow him to sit in a different uncomfortable position. And do nothing.

Still, he cannot shake the feeling that something awful is about to happen. Something horrible and terrible and life-threatening.

Yet if someone were to sit him down right then and tell him what this awful thing will be, he would not believe it. He would not even understand that it was awful. He would laugh, and his chins would wobble, and he would say “Sorry, but that’s ridiculous! I think you’re talking about someone else.”

In a sense he would be right, because the person it will happen to will not be him. Or at least not precisely.

If you insisted, if you grabbed him by the collar of his giant shirt and shook him and said “Open your eyes! You’ve known it for years! You’ve just been too miserable to realize it until now!” he would only apologize and make excuses, because those are the only two things he knows how to do. He would make fun of himself, he would talk about an imaginary sloth and about how this means he’s a silly person and a mean person. And a person who is not even worthy of the bad thing you say will happen to him.

You could slap him, like he very much needs to be slapped.

You could punch him in the stomach and kick him on the ground.

And you could scream, “You were the sloth! Don’t you get that, you fat dummy? That’s why it hurt you so badly when you dreamed of the sloth! YOU were the sloth!”

But none of it would help.

He would only blink at you very slowly and turn away, and he would keep walking along and he would save worms. And when you shouted he was saving the worms because he was hoping and needing very badly that someone would save him as he saved those worms, he would not have believed you.

He is fat, blind, and asleep.

But he cannot understand any of this. He cannot even fathom it. Not today. Today the horrible thing has not happened. Today he is going to go to a library. He is going to sit there. And he is going to do nothing. And he is going to piss his whole life away and giggle about it.

He slumbers.

But in his slumber, as he thinks about the worms, I stir.

THE END of DUNCEUPONATIME

thedorkknightreturns.com

Words from Stephen Fry

I’ll be back on Halloween for one post, and then another hiatus.

There will be a change of websites too. I’ll let you all know what the new url will be.

I’ll be leaving up all the stories though. The rest of the fodder will stay down, and will probably stay down forever.

I had not seen this until today, but consider it a preview for the Halloween piece.

Grays Harbor and Story Telling: The Mill

“I remember back when filers were FILERS, man.”

There is a murmur of agreement around the millwright lunch table at this statement. There is a pounding fists on the tabletop. There are entreaties to hear more. Amidst this, someone nudges me and gestures at their utensils for emphasis.

“You see this here, Petersucks?” they pick up their butter knife and hold it in front of my face until I have no choice but to pay absolute attention. “Back when I was young, you could take this up to the filing room and they’d put an edge on this fucker that would cut a diamond.”

More murmurs of agreement, like we are a congregation and someone is testifying about the holy filers of the past. The ones who put edges on butter knives.

But I do not object.

Even I, as awkward as I am, know you don’t interrupt a story in the Harbor. Not ever. Not unless you want to look like some rich, city-born, uptight, union-busting outsider. Besides, the butter knife is only a metaphor for the comparative dullness of the modern age.

“You know, I used to take chains* up there, and I shit you not, when I got ‘em back those bastards would be sharp for six months.” My uncle Bruce looks every man in the face, and receives nods of solemn agreement. As he has been at the mill for over forty years he is the greatest authority on all of the mill’s history.

“You go up to the filing room now, and all you see is a bunch of machines. No craft to it anymore.” Someone else says.

More anecdotes fly across the table. So-and-so sharpened such-and-such, and it was something-or-other. Competing versions of each story are told, but nobody is out to undercut anyone else’s version, unless the criticism is also some kind of performance. Even the arguments feel like stories here, because it’s quietly understood that even if you disagree, even if you see things in a completely different way, the one cardinal sin you will never EVER commit is to halt the momentum of a story.

No. The work day is too long and too hard for everyone to constantly be working their mood up from zero. So the stories flow and change and pass from one speaker to the next. The energy is electric.

Someone cut themselves on a saw blade once and it was funny. Someone cut themselves on a saw blade once and it was sad. Someone cut themselves on a saw blade and they died, and a hush goes through the room.

And of course, all of this is only natural.

People make stories. It’s what we do. It’s how we know who we are. And when enough people are in one place long enough, after a while, the sheer amount of history compresses those stories to myths. Time turns men into, if not gods, then at least heroes. The heroes of the saw-mill were its workers and the millwright lunchroom is where I heard of their epic deeds.

Again, all this is natural and only to be expected. What is spectacularly UNNATURAL about these stories is the presentation. For without fail, the stories are masterfully recited, masterfully vivid, and perfectly toned.

These are not Hollywood stories, they are told without thought for narrative satisfaction. These are stories that evolved out of real life experiences to entertain tired men and women telling after telling. They’re like bits in a stand-up routine. Messy but satisfying in and of themselves. Somehow perfect in the pairing of their form and function.

These stories, and the oral tradition through which they were transmitted, make up a large piece of the tiny mythology of Grays Harbor county and enormous chunk of my childhood. These stories taught me how to make otherwise mundane events big, flavorful, and momentous.

These stories taught me that subject matter does not have to be extraordinary, only the method and style of transmission. They taught me that a clear an distinct point-of-view is the same as a soul and that it’s better to be embarrassed inside of a story than to not exist at all outside of one.

Let’s dissect a few.

*It occurs to me that some of you might not know I am referring to chainsaw blades, which are called chains. So, be advised.

*****

My dad and his friend Ronnie arrived at the scene of a car accident….

Or so Ronnie begins to tell me after he finds out that I’m “Petersucks’ kid.” He pauses before he can get any further along and asks me if I know everyone calls my dad “Petersucks.” I admit that I do, that I heard this as soon as I arrived on-site, but that doesn’t stop him from laughing about it anyway.

As Ronnie laughs at my father’s expense, everyone forgets for a few moments that he was ever trying to tell a story in the first place.

When he calms down, Ronnie introduces the premise of the story again.

“So me and Petersucks come across this car accident, right?”

A few more people hear him this time, but it seems Ronnie can’t help but keep interrupting himself. He pauses for a moment to dig through his lunch box like he’s remembered something about its contents he’d previously forgot.

The lunchbox is empty.

After yet another false start, Ronnie says he remembers me from back when I was “just a little fucker no bigger than this.” He holds his hand to his knee to demonstrate. He almost starts his story again, but then he stops to slap my arm.

“But who am I kidding, you was born a big little fucker, weren’t you?”

My prodigious birth weight of 11lbs 3oz is a well known fact at the mill. I admit that I was a large baby. Ronnie laughs and pokes me in the stomach.

I realize Ronnie’s been purposefully interrupting himself to build suspense. I also realize that EVERYONE is now listening. Ronnie had been “working the room.” I feel like an idiot.

I pretend to be offended at the belly-poke and everyone else laughs. I now understand my job in this story isn’t to take this kind of criticism seriously but to help get the energy moving along. I’m just Ronnie’s excuse to tell this particular story, so I lean forward and make sure to look interested, even though I’ve probably heard this story before. And it works, everyone else is eager now as well. They’re warmed up, and I can tell that Ronnie has selected this as the perfect moment to begin.

“So anyway, me and that dumb fucking ox Petersucks… well, you know how he is the big angry bastard… was out driving and we come across this car accident, right?”

It’s the weekend and we’ve got people from the production crew pitching in overtime to do maintenance. That’s why Ronnie is there. The lunchroom is packed and no one cares if we take extra time so long as we aren’t egregious about screwing off on the company’s dime.

“So you know, we figured people might be hurt and all that shit, so me and Petersucks get out to help.”

Ronnie is chronically short of breath. If he talks too long he starts going red in the face. But when he tells stories, this is not a hindrance at all. He uses his lung condition like a sonic drill. He’s timed his breaths to reinforce one another. He’s got all of his punch-lines situated with the rhythm of his lungs. The truly incredulous always happens at the end of a sentence, when Ronnie can’t quite finish the thought. I can tell it’s taken him years to get this good.

“Anyway, it was fucking hot as shit out, over by Swanson’s, my pants was riding up my ass ‘cuz of that tiny goddamn car I used to have and that sonofabitch Petersucks is all grumbling….”

Ronnie doesn’t HAVE to finish the thought, because what he’s conveying is a sense of bewilderment. A sense of surprise on the periphery of the world, and it’s better that he’s too out of breath to articulate it perfectly because what we fill into the provided space is better anyway. He’s got us doing part of the work for him, not that we’ll ever even notice until he’s done.

“We were right about to the first car and….” Ronnie coughs, “…this giant fucking Down Syndrome guy comes out swinging a shovel at us!” Ronnie stands up, making his eyes wide and bewildered, so that we can transplant his present face onto the story-Ronnie that’s all in our heads. Ronnie even crouches over his chair like he might make a run for it.

“Petersucks is telling him to put it down, put it down you dumb fuck, but that fucker wasn’t about to listen so he…” Ronnie takes a half-breath, not enough to get him all the way back to full, “… throws that fucking shovel right at us…” it’s remarkable, like gunfire the way he’s doing this with his breath, making every half-sentence tense and it all seems natural because that’s the way he talks, “me and Petersucks throw ourselves to the ground… and the fucking thing hits a brick wall… right behind where we was standing… and I swear to God it digs into the side of Swanson’s two fucking inches deep.”

Ronnie’s puts his hand up, spreading his fingers apart, showing everyone how far the shovel went into the wall.

“What’d you do?” someone asks.

A perfect amount of time passes before Ronnie exclaims:

“Got the fuck out of there! Fuck that shit!”

Then Ronnie collapses back in exhausted laughter, sweat pouring down his face like he’s just run from someone throwing a shovel at him, and everyone howls. More importantly, everyone loves and feels closer to Ronnie.

I’m not a gifted spoken story teller like Ronnie, so all I can do is pull apart his methods and try to figure out how to apply them to written word.

Were the events that amazing? Not really. A man with Down’s Syndrome threw a shovel at my father and Ronnie one day. They ran off. Put that way, it’s pretty mundane… but it FELT exciting when Ronnie talked about it. Conversely, one of my aunts had a helicopter crash in her backyard… on TWO different occasions. But to hear her talk about it is one of the most boring experiences in the world. Excitement and tension are ALL a matter of presentation.

The trick of it was how Ronnie made the story reflect his personality. How he made it TRUE instead of just factual by injecting a bit of his soul into it. Ronnie didn’t recall forensic details. No. He put us inside the head of a young Ronnie, let us live for a moment through the eyes of a sort of Ur-Ronnie, and then when he was done playing with our brains threw them back at us. He turned the story into a chance to show something about himself and who he was.

Ronnie also didn’t let his story linger or grow inside a vacuum. He brought it out to his audience, worked with his audience, and made us play together like an orchestra at symphony. He made his audience an active participant in telling themselves the story. Ronnie knew how to be “engaging” for those who want a more succinct term.

*****

Eric is narcoleptic and has trained himself over years to fall asleep for the few seconds it takes each log coming into his saw to actually reach the blade.* He likes to tell stories with twist endings. He does it all the time. But you NEVER see the final twist coming, and it ALWAYS catches you by surprise, because he ALWAYS nods off in the MIDDLE of the reveal.

You’d think it’d be frustrating, but he’s got it timed out perfectly.

Eric gives you half a beat to fill in the rest of the reveal yourself and JUST enough information to figure it out. Because he’s trained himself to tell stories that way, and because this reflects the way he speaks normally, the reveal always hits you like a ton of bricks. His tone is such that the reveal could literally come at any time and there would be no visible cue he as to even indicate when that might be. He puts you on the edge of your seat with suspense.

On another long weekend lunch, Eric decides to tell a story.

“I was talking to Harry’s boy down at the….” doesn’t matter where he was, so he’s fallen asleep. Of course, he starts awake again just when you think it might be safe to talk. His timing here is as impressive as it is when he operates his saw.

“Well, you know old Harry, I ain’t seen him in….” Doesn’t matter how long it’s been, so long as we understand it’s been a while. Again, the tension lingers. Has Eric fallen all the way asleep? No, he’s waking back up.

“So me and Harry’s kid start shooting the shit and the next thing you know….”

What? What’s the next thing we know? People are paying attention now, filling in others on what has come before if they weren’t previously listening. Eric’s glasses are skewed on his face from leaning on his hand when he opens his eyes again.

“I said, really? I can’t believe that. They never told him. I mean, you know he was twenty-five years old, I just assumed….”

WHAT? What’s missing? What did you assume?

Eric falls asleep so long he’s almost snoring. It’s torturous. Before anyone can become distracted by something else, right at the point where we’re practically furious, he starts awake all of the sudden and for him it as though no time has passed at all.

“Felt real awful for telling that to him. Poor kid thought Harry was his dad. Kid never knew he was….”

He falls asleep and looks like he’s going to stay that way. Everyone is confused for a moment, until the realization hits us all at more or less the same time.

Adopted. Adopted. Adopted!

Eric sleeps straight through the adulation.

I mumble a lot, and I get intimidated by being overly personal with people I don’t know extremely well, so I can never do what Eric did. Well, unless I’m having some kind of manic attack which does occasionally happen…. BUT I can pick his story-telling apart and incorporate it into my writing.

What did Eric do that was great?

Eric perfected the tease. He wasn’t afraid to let people get frustrated before giving the reveal. He didn’t even mind if you were pissed off, so long as you were emotionally invested somehow. He could take any kind of emotional response and channel it into his story somehow. He had an ability to read a room that I know I will personally never have in interpersonal situations.

Eric didn’t even mind burying the reveal in the middle of a story, or leaving off a definite reveal at all so long as your perception changed somewhere along the line. Eric was like a magician telling you to pick a card any card at all… then guessing your card wrong. And while you were standing there smugly grinning to yourself about how smart you were to pick an unguessable card you didn’t realize Eric wasn’t trying to do a card trick at all. Eric just wanted a cover for what he was really doing, which was going through all your pockets.

And boy didn’t you feel mind-fucked when you realized what was actually going on.

Misdirection, frustration and anger are valuable tools. Sometimes it’s the right choice to make a reader furious at you or pissed at a character. Or use clunky awful dialogue. Your job as a story-teller, as I’ve said before, isn’t simply “show don’t tell.” I think that’s simplistic, surface-level bullshit. Your job as a story-teller is to “Commune.” You want to make people feel connected to something. Granted, that’s more often done by showing not telling, but true Communion goes so much deeper than a clear image. It’s the touching of two souls, the personifying of the Other, and the one source of water in the desert of our existence.

Bring your audience INSIDE the story, pissed off, happy, or however else you can get them. Then CHANNEL and CHANGE those emotions in some way that makes your reader feel like you were playing around with their brain by the time they get done. The WORST thing you can do is leave someone feeling like they were going through a checklist, marking off the pages, until they could put the book down and be done.

MOVE someone in whatever direction you possibly can.

*Eric is one of the fundamental reasons I believe that virtually any handicap can be worked around. If your life depends on it, your body will figure out how to do some amazing shit.

*****

My dad’s best friend is named Dutch.

He’s one of my favorite people in the entire world.

I love Dutch because without fail, at some point or another when he’s telling a story, he will have an emotional explosion on something like the scale of a supernova. Everything Dutch says before the explosion is like waiting for the fuse burn up on a stick of dynamite. Necessary and suspenseful, but ultimately unimportant. Yet merely being in the presence of such an event is more cathartic than just about anything.

I take lunch one day with my father and Dutch in the mechanic’s room.

“Yeah, yeah, you wanna hear a story about your dad Andrew? Huh, Andrew you wanna hear a story about your dad? I’ve got a story about your dad. You wanna hear a story about your dad? Hahaha, oh I bet you want to hear a story about your dad.” Dutch rambles off at a thousand words a minute.

The point of Dutch telling a story isn’t to construct a narrative, or surprise you, or even get you involved. The point of Dutch telling a story is to work himself into a raging inferno, while you sit back and bear witness to his enormity of his feelings.

“Yeah, you want to hear a story about your dad you goofy little fuck!”

Dutch is grabbing me by the bicep while my father groans at the background, not even daring to speak. Dutch is one of the fastest people I know, not only verbally but mentally. Trying to get a word in edgewise when he’s worked himself up is like trying to shoot a quick draw in the chest when he can see you coming and has been tipped off an hour in advance.

“Oh yeah, I’ve got all kinds of stories about that dumb fucker! You know I do! You know it! Guess how long I’ve known your dad, Andrew. Guess how long. Guess. Come on. Guess, Andrew. Don’t just sit there and look dumb.”

“Forty years?” I say.

“Forty motherfucking goddamn years I’ve known that fucking ox! Jesus Christ that’s a long goddamn time! Forty years. Godfather to his goddamn kids, at every last one of his nine-thousand fucking weddings, and I’ve had to sit looking at his stupid face at this fucking place every day ever since he came here.” Dutch slams the table while my father attempts to look out a window.

“Do you know the hell he’s put me through, Andrew? The unimaginable, awful hell he’s put me through?” Dutch roars.

Dutch doesn’t even wait for me to agree, he just nods aggressively to himself, as if what he’s said is so true and I’m so dumb I couldn’t possibly agree with it enough to give it the validation it deserves. I also love Dutch because he’s confident.

“Did you hear about this last month when he called me from the fucking gas station? Oh you gotta hear this one, Andrew. Do you know what he did! Do you! Dumber than a hemlock stump I swear to Christ!”

Dutch takes center stage in the way only the youngest child of a blind piano tuner and a former nun possibly could.

“Dutch, it wasn’t that–” my father begins.

“THE FUCK IT WASN’T!” Dutch shouts, standing up, pointing his finger.

I’m laughing, but it hardly matters. Dutch doesn’t perform for me. He performs for himself. Like Sinatra commanding the audience to obey.

“Having a peaceful day watching the goddamn television, minding my own goddamn business, and guess who calls me up because he forgot his fucking wallet to pay for gas at the gas station! Jesus Christ, Andrew! Guess who!”

“My dad?” I say though tears.

“Oh Elizabeth! I’m coming Elizabeth!” Dutch clutches his left arm and feigns a heart attack while he screams at the sky, “Oh take me now Jesus Christ of Nazareth! Strike me dead and take my poor tired soul to heaven! You bet your sweet fucking ass it was your thick-headed, ape-brained, goddamn dad!”

My dad begins to scratch his head and bite his tongue, but he doesn’t interrupt. This is the Harbor, and the way you know someone they are your friend is by how much you’re willing to let them insult you. My dad and Dutch would die for each other.

“Forgot his credit card at the gas station! Can you believe it? Fifty-two fucking goddamn Christing years old and he fills his car full of gas he can’t pay for! And oh yeah, you had to buy that big expensive piece of shit SUV, didn’t you, you stupid motherfucker? Dumber than a hemlock stump! Did you listen to your friend the fucking goddamn mechanic? Oh no! You KNEW better. You wanted that great big fancy expensive piece of shit that cost $60 just to fill up the fucking tank!”

“Then what happened?” I prompt.

“Well, since I love this dumb ox like a boy loves his deformed puppy I took my ass down to that stupid gas station! And I asked this idiot very nicely if he’d remembered to take his medication so everyone would know he wasn’t all there in the head, and I paid for his gas like I was his fucking father! Oh Elizabeth! I’m coming Elizabeth! Save me from these idiots! Dumber than hemlock stumps!”

I have never got a word in edgewise with Dutch. I expect to die with that always being the case and I never expect to MEET anyone with the ability to talk over him.

Dutch has taught me the importance of commanding an audience with pure confidence. Sometimes the most important thing you can do in a story is sit someone down for a nice little chat, strap them to their chair, and scream in their face.

You’re the story-teller. YOU are in charge. Sometimes you get to tell your readers how it is after you’ve established a relationship and your expertise. You get to drown them in emotion. You get to flood them with what you want a story to mean. You get to be the boss who doesn’t even tolerate questions.

You have to establish a relationship before you do this. You need to build a rapport, lay down some history and groundwork, but this can be a very effective tool. Especially if it represents a sudden shift in mood and style. It signals to readers that “HEY, THIS IS IMPORTANT NOW AND IF YOU DON’T UNDERSTAND WHY YOU’RE AN IDIOT!”

Unfortunately, when you do this, you also need to not suck. You need to be pretty damn good at your craft because this can blow up in your face pretty quickly. But when you’ve established a history and an emotional background to blatantly command you can have an effective tool in your arsenal.

*****

I could go on and on with this, but these three “bits” give you a pretty representative sample. Your story telling style should match your personality, and on some level what you are “about” as a human being. And trust me, if you are a human being, you are “about” something whether or not you realize it or not, because having an “about” is an integral part of being a human being.

Be honest, remember that telling a story is about touching souls not simply running through a checklist (although that’s also important), and develop a voice. A powerful and distinct voice will cover a multitude of sins. Retaining a reader’s perspective while writing is as pivotal as involving your audience in the story

More importantly, learn from everyone and everything you come across that has any sort of narrative component. What made it work? What principle operates at its center? What kind of story-telling did you encounter in your formative years?

I had my family and the mill-workers of Grays Harbor County. You had something too. What was it? How did it impact you? How did those stories operate?

If you can answer that, you’ve gone a long way toward figuring out your own artistic voice.

Starfish Belly Rock

My grandfather smelled like Gillette shaving cream, Old Spice cologne and deodorant, and… take the plastic handle of a Craftsman screwdriver. Smell it. That smell too. Under this, he smelled a bit like wood varnish, a bit like cedar, and a bit like the peppermint candies he kept in his pocket. And these smells clung to him because he wore the same six or seven flannel shirts week in week out and he had a white Santa Claus beard he trimmed every day. The odors had worked into the fibers of both and accompanied him always.

When I was a teenager, taking care of my little brother and sister, I found that smell reassuring. It told me that there was help nearby. That I could be calm and bold because if I got in over my head that someone would be there to bail me out of trouble. But sometimes the kids would cry anyway. That’s what kids do.

And when they cried so long and so hard that no combination of walking/burping/feeding or changing could help them, and when I was so frustrated I wanted to scream, my grandfather would take them from me. He would sit down in a rocking chair. He’d let them spread out on his great big belly like a starfish, and they’d cling to him with the same barnacle-like grip. An eager and unbreakable grip, strong enough to defy the ocean. Then he would put his hands over them, pat them gently on the back, and rock back and forth as he hummed sleepy songs that vibrated his whole chest like a pipe organ.

Slowly, I would see them relaxing. I would see their tears wiped away as they turned their head back and forth on the flannel shirt covering that great big belly, trying to find the most comfortable spot. I would see the tension run out of them as they let the vibration of the humming work through their whole body. I would see them smelling peppermint candies, and cedar, and wood varnish. I would see them smelling screwdriver handles, old spice deodorant and cologne, and Gillette shaving cream. I would see them feeling safe, secure, and protected.

And I hoped one day I would be strong enough to give someone the comfort of a Starfish Belly Rock.

Fuck You Hot, Fuck You Cold

I’m careful when I run to the rig floor.

I’m careful because you can’t touch anything on the rig if you’re not wearing gloves. No one told me this rule and no one had to, because it’s something I learned in the first three seconds. The first time I touched the railing to climb the stairs into the doghouse, I knew.

I fumble with the gloves in my back pocket, putting them on as I run.

Even if a handrail is painted, you’ve got to be careful. Sometimes people like to leave the bottom part of the handrail exposed. Whether it’s to fuck with people or laziness I can’t tell. Maybe both. One thing is for sure, if you wrap your bare skin around that handrail without gloves, and you happen to touch exposed metal, you will BURN.

When I grasp the handrail, it is hot even through my gloves. Even through the reflective layers of “Safety Yellow” paint, I can feel the warmth like the promise of fire.

This is a real kick in the pants, because the company makes you buy your own gloves. I do not care for this at all. Subsequently, I have worn my gloves down into greasy rags as an act of protest. I only ever buy new gloves when the old pair is full of holes, and only when I can’t scavenge another pair off someone who has quit. Someone quits every week. This rig has a reputation for breaking people. Even people who can handle the heat.

I make a conscious effort to breathe through my nose as I run up to the rig floor. It saves water that way. I’ve been a month on the job now. I’m fatigued almost to the point of psychosis, but I refuse to be broken even if it feels like I’m in a sweltering hell.

I am in the middle of the desert, on a giant piece of iron, under a noonday sun. I drink four gallons of water every day just to not piss. Any less and my cock tries to drink the water from the shower faucet when I get home at night. I have come to think of the oil rig, or at least this oil rig, as “The Skillet.”

I am a little drop of water in the Skillet, and look at me dance on all the hot iron! Look at me run to the rig floor when the time has come to trip pipe! Look at the salty sweat leaking out of every part of me, stinging my eyes!

Once on the deck, I grab the sun-roasted tongs without a word. These too are hot even through the gloves. The tongs weigh perhaps three hundred pounds but they’re suspended above by a cable so throwing them hard enough to clasp the pipe is only monumentally difficult instead of impossible. It is time to trip the pipe out of the hole. I will throw the tongs several hundred times in the next few hours.

I am a drop of water on The Skillet, and I am doing aerobic exercise while wearing full body dark red cover-alls. I am wearing a hard hat, presumably, to better keep the heat radiating from my head from escaping. Every bit of metal around me is hot enough to burn skin.

I throw the tongs with a yell. Stupid of me, to let that moisture out on my breath, but I’m getting a bit psychotic again. The heat always makes me a little crazy.

I am a drop of water on a Skillet, I cannot stop to get more water, and I am too fucking hot.

My driller yells at me. I wonder why he’s upset this time. I pray to any god that will listen that I never have to be this hot again.

Then I trip pipe, thankful for my gloves.

*****

I regret leaving the pocket of heat in the foyer almost immediately. My regret only fails to be instant because of the half second it takes for the door to swing shut and lock behind me. It does this every night when I leave work on the late shift, but only now does it feel like I’ve been vented out of an airlock into space with no hope of survival.

I fumble for the hat in my Bag of Holding, fingers already gone numb and clumsy. A wind cold beyond comprehension runs over snowy roads, strikes me with the full force of winter, and almost sends me to my ass. That’s just what I need: To be a fat man without a car, holding a silly furry hat, pulled from his pretentiously ironic Bag of Holding, knocked over on his ass.

In a fit of intense anger, both at myself and the weather, I decide I will not let this happen.

“Jesus!” I bark in a rage.

I catch myself on the wall behind me with a hand that already lacks all sensation. The wind continues to blow, but I’ve braced myself for it now. Christ my eyes already feel like they’re freezing.

I waste no time at all putting my ridiculous furry hat on my head. I bought it because it looked silly, and silly things make me laugh, but it’s not a joke now. This hat is a matter of life and death. I even pull out the cashmere scarf my aunt Debbie gave me and wrap it around my face so I look like a ninja. Less than ten seconds outside, I can already feel small blood vessels in my nose and ears starting to crack. Once done, I shove my hands into the pockets of my winter jacket as fast as I can and ball them into fists. A small burst of heat explodes back into my fingers, returning sensation.

In between the time I went into work and now, perhaps another six inches of snow has fallen, bringing the total to ten. It falls in over the top of my boots. The sky at least, is clear, and a crisply dark navy blue full of stars. I can see the white mountains large on the horizon, mothering every cold win that buffets me.

“Should’ve taken a fucking ride,” I mutter.

I reflect that for a person with no sense of dignity, decorum, or decency I am unreasonably stubborn. I am a mess of contradictions, and unfortunately for me, the jumbling mess of my stupid convictions has me walking home in this weather.

The fabric of my jeans isn’t much use against the cold. But thankfully I’d pulled my big red “I’m a Lumberjack” flannel shirt out of my closet that morning. I’d tucked it in deep so my crotch was at least somewhat protected. This is a cold to make you acutely aware of which parts of your body are covered, and which are not. This is a cold that says “Fuck You, Mortal” every time you breathe it in.

I only live about fifteen minutes away, but never before have those fifteen minutes seemed so long. Never before has the distance seemed so great. Especially when I start to sweat from kicking through the snow, only to have the sweat instantly freeze. I can feel the blood in my limbs slowing. Wanting to stay near to my core. I’m really not dressed for this. I need a pair of thermal underwear. But I had foolishly thought I’d seen the worst of winters when I lived in Washington.

I will not make that mistake again.

After walking for about ten minutes, I begin to wonder if I actually have the strength to make it the rest of the way home. I tell myself not to be ridiculous. I’m nowhere near empty. This is true… but I am closer to exhaustion than I really ought to have come. If I lived forty-five minutes or an hour away, if I did not bring my hat, or wear my flannel, I could have… what’s the word… ah yes, “Succumbed.”

I make it home to find everyone sleeping as always. My cheeks, eyes, and forehead sting in the returned warmth. I spend a few minutes before sleep looking online.

This is the coldest night Boise has had in a long time. A snap, in fact, and it is not expected to be this cold again. The temperature outside had been -4 F or -20 C.

I remember these numbers. These numbers represent a cold which is not to be fucked with. This is a cold against which you must be properly armed or die.

Crazy Chicks Dig Writers

“Are you a writer or something?”

Startled, I look up to find a woman’s face inexplicably several inches away from my own. She’s thirty-something, dark-haired, voluptuous… and she’s chewing gum right in front of my nose. Her breath smells like fruit extract.

I’m temporarily stunned by the length of her torso, because she is not in the seat next to me, but in the seat across the bus aisle. Her brown eyes are turned down, reading the notebook in my hands. Looking at the little pictures and notes I’ve been jotting down. Notes about the Tide World which I’ve never ever showed to anyone.

“No!” I answer hastily, slamming the book shut.

“Oh… well… my boyfriend’s a writer!

“Huh,” I say. Then I wince. If there’s one thing I’ve learned at college, it’s that I do not at all care for people who immediately identify themselves as writers. I don’t know what that says about me. I may be the first person in the history of the world who has contempt for the creature they wish to become.

“I dabble too of course,” she adds.

Rolling my eyes, I put away the notebook and pull out a school book. I make sure it’s a big, boring, sciencey book. I open it to a page full of sinisterly complicated equations like pointing a crucifix at a vampire. The woman gets up and moves to sit next to me.

Damn.

“I’m Samantha!” she explains, extending her hand.

I stare at her, confused. No one ever talks to me. Especially not after I put up my defensive recluse/hermit signals.

I lift my hand, hesitating to return the gesture, before she reaches across my chest, grabs my hand and pumps it firmly. Her fingers are soft and greasy with skin lotion. Her nails are chipped but mostly covered with red polish. I look up and meet her gaze. I’m six foot two and she’s got to have at least four inches on me. She’s like some kind of plain-looking, dark-haired Amazon who just happens to be out of her mind on coke.

“Hi… Samantha?” I reply.

“My boyfriend had colon cancer. They had to cut out three feet of his large intestine and eight feet of his small intestine. He’s got a colostomy bag now. So he mostly spends his time writing. He said it’s been great for his productivity.”

“Oh….” I say.

Wide eyes, fast breathing, chatty. Just got out of an Indian Casino. A seeming obliviousness to mortality. Yup, definitely coke.

“Yeah, I go out a lot because I don’t like to be at home.” Samantha scoots closer to me. “So what kind of stuff do you write?”

“I don’t….” I attempt to lie. I always lie about this. It’s easier. But before I can finish, Samantha laughs and shoves me in the shoulder with surprising firmness.

“You’re so funny.”

“I didn’t even….”

“Do you want my phone number?”

It suddenly dawns on me that Samantha may be one of the rare women who is instinctively attracted to awkward, weird-looking, emotionally unavailable men whose only small sliver of redemption is that they are somewhat creative. I also realize her hip is pressed very firmly against mine and that her not inconsiderable bosom is poking my arm.

“You’re pretty cute, you know that?” Samantha breathes.

I stand up very straight and cough.

“Ummm….” I say.

Once, when I was thirteen, abandoned at a Mexican restaurant by my step-father Mike, I’d been similarly approached. After attempting to pass the time by writing a shorty-story on the back of a few napkins, a drunk twenty-something had come up to the table, leaned across it and asked what it was that I was doing. I don’t recall exactly what she looked like, because she’d done a rather decent job of shoving her cleavage in my face but she had seemed similarly crazy. And although I’d explained quite explicitly that I was only thirteen years old, she hadn’t seemed to mind much.

I did now what I did then, and I did it all by reflex.

I attempted, with every passing moment, to stand up straighter than I had the moment previous. This gave my spine the rather frustrating appearance of a tent pole that keeps getting bunched up in the nylon lining of its guide channels. I also coughed loudly and repeatedly while facing away from her, as if trying to hide regurgitated phlegm. Lastly, I began apologizing profusely for anything and everything I could think of.

“Hey, I didn’t mean to… which is to say… I’m sorry if… I guess maybe I didn’t understand… I apologize if….”

“Don’t be silly!” Samantha whispers in my ear, as she takes my palm and begins writing down her phone number with a felt pen she’s pulled out of her purse. The pen feels like a lizard licking my hand.

I do not have to splutter apologies for very much longer before we reach my stop, because, as one might expect, Samantha had got on the bus at the Indian Casino. Presumably, she also has to add living in Everett to her list of misfortunes.

“Hey! I didn’t even catch your name!” Samantha cries as I awkwardly tear out of my seat when the bus makes my stop.

Jesus Christ, Lady! How much coke did you do in that fucking casino? I wonder, silently but keep my lips firmly shut.

As I slide over Samantha, who does not at any point offer to move out into the aisle, I feel a sense of violation as though her eyes are physically inserting into my posterior. I’m almost out of the bus when I turn around to see that Samantha is getting out of her seat.

I turn, and before I can stop myself or think about what I’m doing, or if it’s mean, I shout, “No! You stay right there!” and am surprised to see that I’m pointing at her.

Perhaps because this is the first time I have spoken a full sentence to her instead of spluttering, perhaps because I am genuinely upset, or perhaps because there seems to be an actual line of force extending from my finger, Samantha sits back down. She looks shocked as I leave the bus, as if I were Odysseus and had somehow resisted her Siren call without the aid of ropes. In other words, she is shocked in the way only someone high on cocaine can be shocked when they discover they are not all-powerful.

I don’t turn to look back at the bus when it drives away. I’m afraid I’ll see Samantha’s face pressed up against the glass, crying giant tears as she silently implores me to come back to her.

On my walk home, I think about what it would have been like to have sex with the giantess Samantha, who while huge and insane had not been unattractive. Then I think about her voice and her boyfriend silently shitting into his colostomy bag in the next room, and I shudder.

I much prefer my method of falling in love with women from afar, projecting superior characters onto them, and then never acting on any impulse whatsoever. Say what you will, but if you keep to yourself, it never gets awkward.

The Knower of Rapscallions

“Young man, as I watch you sitting there, counting ever so frantically, I must ask: is it your intention to pilfer these goods in my hand?”

Around three dollars in change, held in the old man’s palm, gleams like dirty gray salmon scales in the sodium lights of the bus. Starting awake, I realize I’ve been unintentionally staring at them for the last few seconds.

I glance up, thinking to apologize, and realize the old man is staring at me with affronted indignance. In fact, I realize he’s just asked me if I intend to rob him. I’m unsure whether or not he was serious.

I stare back at him, confused.

He stares backer, the whites of his eyes yellowed with age. I can’t quite tell if he’s crazy though. I consider breaking eye-contact, but can’t quite manage it.

It’s morning and we’ve driven past the Indian Casino back into Auburn. We’ve picked up exactly the kind of people you’d expect to be leaving an Indian Casino at six am. This old man, for a perfect example, with a great gray mane of hair, now seems convinced beyond a shadow of a doubt that I’m out to steal his loose change.

“Excuse me?” I say after what seems an eternity.

The old eyes tighten. The mouth turns down in a scowl. Yes, that’s madness all right. Such a mistake, I shouldn’t have said anything.

“Oh, the degenerate speaks! Ha! Did you think me blind, you oaf? I know your family, you uncouth rapscallion, and a longer line of vagabonds and charlatans I have never come across!”

I regret speaking less now. A lot less as I parse the words. In fact, this is almost enjoyable. Well, as long as he doesn’t become violent, I won’t have any regrets. It’s not often you meet people who are crazy in such entertaining ways.

“Okay…” I respond, half-smiling.

“Okay? Okay? What is it you find ‘okay’ you bug-eyed, adder-tongued, rapscallion! You illiterate automaton, able to string only two letters together! Rapscallion!”

I nod, turning away politely.

He doesn’t stop speaking. Again and again with the rapscallion.

He says it with such frequency now that I’m beginning to doubt I have any idea what the word means. I’m also beginning to grin more widely, and this seems to drive the old man even further into his frothing rage.

“Ha, you laugh at me? You piece of nothing, devoid of any trace of chivalry, honor, or valor? You spawn of thieves, liars, and oath-breakers! You dare to laugh at me?”

I can’t help laughing now. It’s too surreal. Every word he says sounds like it’s out of a Horatio Hornblower story. I’m wracked by chuckles. It’s the privilege of being bigger and stronger than the person yelling at you, I suppose. You get to laugh when the shouting becomes funny.

The old man huffs, indignant.

He takes a pipe out of his jacket and shakes the stem at me seriously.

“I would mend my ways if I were you, young oaf. And with that I bid you good day, sir!”

The Knower of Rapscallions gets off at the next stop, walking toward a smoke shop, still slathering on about my family, vagabonds, and such like. Other people on the bus can’t decide whether to look at me or him because by this point I’m almost crying.

After he gets off, I wipe some tears of my eyes, and get back to reading.

No one says anything, because we’re still next to an Indian Casino after all, and you have to expect these sorts of things.

The Man with the Penis-Shaped Nose Tumor

One day, when I’m rich, I’ll start a charity to help the man with the penis-shaped nose tumor. Or so I solemnly promise myself, as I watch him through the window of the bus, my breath faintly fogging the glass. He’s jogging because he’s late again. The driver is holding the door for him, but he can only wait so long. The man with the penis-shaped nose tumor is wearing the same khaki-gray camping pack as always. Various belts and buckles bounce every which way as he runs.

Yes, I will help him one day. I can see it all so clearly.

I can see the way my lawyer shows up on his doorstep holding a briefcase. The way the penis-nosed man’s eyes light up when my lawyer explains the nature of his business. The serious looking doctor in light green surgical scrubs cutting into the tumor-ridden nose. The recovery in a hospital bed that’s only half reclined with sheets that do not extend beyond the waist. Peeling off the bandages and handing him a mirror. And finally, the perfect, rapturous joy of a man getting a new lease on life.

But for now, I’ll just try very hard not to notice the perfect bulge, point, and cleft of the swollen, purple-pink mass when he walks by me on the bus. I will not giggle when he rubs his nose and it shakes, or laugh when its cold outside and his nose begins to throb in the heat of the bus. I will try to be like everyone else and pretend this doesn’t matter to me that much.

And no matter how much I may want to: I. Will. Not. Laugh.

I will be respectful and look away, even though something rather like obsessive compulsive disorder is begging me to gawk. Demanding that I write puns, even if only mentally.

Thankfully, as I always have a book in my hands, my respect is less forced than it might be otherwise. I almost feel sorry for the people sitting around me who suddenly have to find something interesting about their laps. Everyone notices. That’s how I know I’m not crazy.

But unlike everyone else, I know I will remember this forever. I have no choice but to put this in my file of Things That Are Absolutely Important , No Matter What Anyone Else Says.

In the periphery of my vision, I note that the man with the penis-shaped nose tumor is not wearing his red parka today. A sure sign of spring. I try not to focus on him, but it’s difficult.

I think about giving him a nod and a smile when he passes me. I’ve been wanting to for months. A brief sign of friendship. But I do not. I dare not. The man with the penis-shaped nose tumor often seems angry. He also strikes me as the type who would be suspicious of friendly overtures. Perhaps even upset by them. I do not want to upset him. I only have a mad desire to poke and prod and examine him and converse with him at length about how funny it is that parts of his face look like the parts that belong between his legs.

I know this desire is wrong and hurtful even though it is not malicious. I just want to know what he thinks about having a penis in the middle of his face.

The bus moves out of the Park and Ride and heads toward the Indian Casino on the other side of Auburn. The man with the penis-shaped nose tumor takes a seat next to a man who looks a bit like Stephen King if you don’t look too hard and a bit like a werewolf if you do. I used to think about him a lot before the man with the penis-shaped nose tumor showed up.

They sit together often. I think they’re friends. I wonder how that happened.

I spare a moment to look at the empty seat next to me, wondering why I have once again been passed over. I always make sure to leave plenty of room. Yet no one ever takes the seat next to me, unless it’s the very last one. It’s something I’m noticing now that I no longer live in a town where everyone knows me.

These city people tend to move away from me in crowds. It seems more instinctive than intentional, although I do not find that reassuring. It’s like there’s something about me they’re afraid of even though neither one of us knows what it might be. And sometimes when I walk down a street at night, people will cross to the other side not to be next to me. Sometimes even groups of people.

I wonder, do I have some kind of tumor in the middle of my face? If so, why am I the only one who can’t see it?

I shrug, trying not to dwell on my possible inadequacies, and read up for my classes tomorrow morning. Serious stuff, here. I’m taking “Literature of the Renaissance and Enlightenment.” My professor’s name is Douglass Furr. I’ve pretended not to notice this is funny to the point I’ve almost forgotten it is. He’s nice enough and, more importantly, honestly cares about what he teaches, so I don’t think we’ll ever have a conversation about how funny it is that he’s named after a tree. Or a conversation about why I can’t stop noticing these types of things.

I decide I think the Marquis de Condorcet is a bit of a prick. I let time slip by, articulating this as I analyze several wistful passages about chickens and the natural order which leave me wondering if the dear Marquis ever saw either. The Marquis’ feelings about African slaves are so blatantly evil and rotten I can’t believe there’s an ounce malice in them. Just the blindly smug assumptions of a man who has never had to tend his own chickens or clear his own fields. Or entertain the thought that other people matter every bit as much as he does.

When I look up again, almost everyone is gone. All off to the Indian Casino, no doubt. Even the man with the penis-shaped nose tumor, although I don’t know where he gets the money to gamble. Perhaps if I were the Marquis de Condorcet, I wouldn’t be so ashamed at the thought of asking. If I were the Marquis de Condorcet, I could ask all the hurtful questions that have been at the tip of my tongue for months.

But I am not the Marquis de Condorcet, so I will at least feel guilty over these thoughts I am powerless to stop.

No one new has got on the bus, because we’re continuing on toward Everett. Everett has no Indian Casino and a man was fucked to death by a horse there last year. I saw the man’s house on a bike ride with my aunt and uncle. You wouldn’t have ever guessed, not that I really expected a giant sign that said “Man Fucked to Death By Horse Here!”

They didn’t seem to think it had mattered that much. I had wanted to get off the bikes and walk around the property.

I stop reading after we drive passed the Indian Casino, because I missed my drop off a couple of times and had to back track several miles to get to my aunt and uncle’s house. I didn’t really mind, but they worry.

I let my mind wander.

I bet there aren’t any existing charities for people like the man with the penis-shaped nose tumor. Maybe not for any person who has the kind of condition that’s a bit too embarrassing to photograph and put on pamphlets to say “Look, we’re doing Good! Give us money!”

The man with the penis-shaped nose tumor has fallen through the safety net of well-wishers and do-gooders because his malady is not life-threatening and is, above all else, very, very silly. No matter how hard you try, you can’t turn a penis-shaped nose tumor into a story about the quiet dignity of suffering or the defiant heroism of endurance. So people pretend not to see. A penis-shaped nose tumor is silly enough that you’d be a bit humiliated for noticing it, let alone helping someone get rid of it.

When I am rich, my charity will make sure to find people like the man with the penis-shaped nose tumor. Him and all of those lost and forgotten because their suffering is non-obvious and absurd to look upon. Every person who has not been looked upon with pity, but looked away from in discomfort. We will find them and we will help.

I wave goodbye to the bus driver as I get off at my stop. He nods back. Perhaps one day I will speak to him, but probably not.

I walk a mile or so up dirt roads to my aunt and uncle’s. I’m living there while going to school. They’re very nice people who never obsess over strange, macabre facts the way I do. In fact, they’re frighteningly good at moving on with their lives when confronted by absurdity. A helicopter crashed in their field. Twice. Yet somehow when they relate this, it is one of the most boring stories I have ever heard. I think it’s because I knew, even before they started, that they’d act in a rational manner and take care of things.

They’re so very good at moving on with life that I cannot help but dwell on the oddity of their essential mental health.

I crest a hill. I let out a breath of air and watch it fog.

It might be spring for Washington, but it’s cold everywhere else.

I hope one day the man with the penis-shaped nose tumor finds someone to love. I hope this almost as strongly as a prayer, perhaps out of shame that I am invading his privacy by having all these thoughts about him.

I don’t even jokingly wish for him to be a woman with a vagina-shaped face cavity, although I’ve thought about such combinations before. I sincerely want him to be happy. Everyone should have somebody to love. Someone to take them seriously. Someone to believe they matter. Someone to ennoble their life.

Even men with penis-shaped nose tumors that everybody tries not to look at.

Perhaps in some quantum mirror-world where Edmond Rostund had been a bit less subtle, the man with the penis-shaped nose tumor is something like Cyrano de Bergerac. Perhaps in a mirror world he is dashing and heroic and renowned for his silver tongue. I hope so.

Otherwise, he will have to hope I get rich.

Cigarette Solidarity

This is a guest post from my friend Hunter4086, who is one of the more talented writers I have the pleasure to be e-quainted with. She’s just so good at sentences, damn it! Anyway, she was kind enough to write a guest post for me (after I rudely demanded one) while I work on getting my site well again. I highly recommend her writing.

Please enjoy.

I don’t smoke but for the sake of camaraderie I’ve joined my co-workers on the back stoop while they take a quick cigarette break.

“In this world there are two types of people,” Krystal says. She is the housekeeping supervisor. “People who have to clean up shit, and people who don’t!”

Everyone laughs at Krystal’s observation. I laugh too, nursing my last 3 inches of cold coffee. To fit in, I will pretend that shit-cleaning is the key point of division between humanity. I have poop dried to the bottom of my shoes which helps make it easier to believe.

Recently I started a new job that sets me firmly on the former half of this equation. I’m on the  housekeeping staff for an organization that provides housing to people at the end of the line, one step removed from homelessness. Mostly senior citizens. Most are active alcohol or drug abusers even though ostensibly these vices are not allowed on site. The residents are not wanted by subsidized housing, non-profits, and needless to say family/friends.

So they end up here. The place is called Hill House. (What hill? There is no hill. We are in fact down by the inlet, where the train yards turn to swamp.) Hill House is like a nursing home meets One Flew Over the Cuckoos Nest.

“Are you ready to sweat?” were Krystal’s first words to me on the day I started. At the time, I inwardly groaned, sensing a self-important psyche-out. But Krystal is a hard worker, and gruffly kind.

(And it is sweaty work, housekeeping. Running up and down stairs, wheeling around the cleaning cart, lifting stuff, carrying stuff, moving beds, changing linens and emptying the trash.The hot driers always going in the laundry room & the steam of industrial dishwashers in the kitchen. One person doing the work of two, because of all the government cutbacks.)

“Before here I worked in a nursing home so whatever you’re going through? Trust me, it’s nothing,” Tanya from the kitchen announces. She is wearing sunglasses even though it is cloudy. Under the net her hair is white-blonde and I wonder if perhaps she is an albino.

She holds out an arm and slaps the bicep. “At the home I’d be this deep in shit.” She laughs. She has a peculiar laugh that sounds either borderline crazy or affected – or maybe it’s just the sound of someone who works 10-hour shifts in an industrial kitchen. “Once you get over the gagging and the crying you’re home free. It doesn’t even phase you anymore.”

People begin stubbing out their cigarettes and draining their coffees. Time to get back to it, even though it’s Sunday and the bureaucracy is not around so the day unrolls at an easier pace. The skeleton crew is holding things together, cleaning staff and kitchen crew and Jeff, who mans the front desk and keeps out the riff-raff and makes change for anyone who wants a pop from the machine in the lobby. We joke around with tenants, lean on our mops to shoot the shit with each other, prop open the back door for these impromptu breaks even though it has a sign that says “Do not open this door at any time. Emergency exit only.”

*

At 7 AM, whenever I start work, the downtown east side is usually quiet for once. This is the most poverty-stricken neighborhood in all of Canada. The newspapers always mention this fact, when talking about it. That sounds catchy and conclusive. “Most poverty-stricken.” Like, “‘Nuff said”, in media-talk, to excuse the commencing roll-call of social maladies.

The word ‘poverty’ sounds like dirt, it sounds like nothing. But it is not the polar opposite of ‘wealthy.’ In poverty there can still be love, action, growth, and creativity. But poverty makes for an unembellished life. In poverty, the cracks are deeper that the monsters come out of.

Drug and alcohol abuse is rampant here. The street corners and alley-ways are lumped with the shrouded figures of homeless people sleeping.

The silence of early morning is misleading. It is the sort of silence that makes one think of the word “aftermath.” The early dawn ignites the weeds and litter of a neighborhood that only knows the eye of a storm, and never the true end of it.

I climb the steps and push the button to be buzzed in. While the front desk worker looks into a camera to determine whether I am wanted, I wait on the concrete stoop beside the empty, over-sized cans of tomato sauce that are now used as ashtrays by the residents.

*

The first  room I cleaned today belonged to a tenant named Gerry who Krystal had already warned me about.

“You never know what to expect in there,” she said. “Plus he’s a flirt even though he can’t even see straight.”

When I enter the room I instantly wish I had a breathing mask. He’s spilled Bacardi on the floor, Sailor Jerry’s, beer. He’s pissed on the floor – not once, but what looks like a long drunken nights’ worth. There is piss on his chair and in his bed, and some small malnourished-looking shits.

There are crumpled napkins smeared with snot and ass shit all over the floor. Some napkins were once shitty and wet but now are dried and stuck to the linoleum so that I have to slop the mop over it, soak them, and and scrub wildly to get them unstuck. There are crumpled liquor store bags on the floor and crumpled lottery tickets. There is a folded greeting card that says “You Are Sweet” and I pick it up and throw it in the trashcan along with 24 empty beer cans that each have about 1 inch left in them and a colony of fruit flies. There are cans of half-full tall beers on his night table that I don’t touch in case he wants to finish them but I clear away the licked-at packets of Kraft peanut butter piled up that are from the condiment box in the dining room. Seemingly this man lives on alcohol and condiments.

I find money under his sheet. About $80 in small bills. Even his money feels dirty. I wince as I shuffle it into a bundle and put it in his night table.

On the way out I lock Gerry’s door so no one else can wander in. A half hour later I’m mopping the hallway when the elevator door opens and Gerry creeps back down the hallway with his bare feet jammed into cordovans that look like they rub.

“Hey you, girly,” he says.

“Hey,” I say.

“You know,” he chuckles flirtatiously, limping along. “I don’t really need this walker.”

“That’s nice,” I say. “But hey. Can you use  the toilet when you have to take a leak next time? Jesus!”

I know Gerry is “addicted”, that he “can’t help it” – but for fuck’s sake! I feel obligated to give him a little shit. If unchallenged in the merest civilities, how can people ever rise to the challenge of the most mundane expectations?

Gerry peers at me, belligerence fighting confusion for dominance in his stare.

“Can’t handle a bit of piss, girly? Then quit!” he tells me.

Maybe I should quit. This job only requires “a grade 10 education.”  Even my grandma, who never finished elementary school, yelled at me for taking a job that “only dough-heads do!” What am I doing? I love books, art, bicycles and botany…is Hill House really where I belong, at this point in my life…

*

When I show up for work in the morning it’s like climbing aboard a submarine. There is a sense of submergence. The light changes from August sunshine to the fey institutional flicker of fluorescent-lit corridors. Entering Hill House is like being whisked far away from the real world, that is, the world of earthly concerns like politics, current events, the arts, and variable mortgage rates. The skeleton of society’s structure is made of toothpicks, not solid bone. We can distract ourselves and become absorbed in the comforting minutiae of upward mobility but when it goes, it goes. And when the bottom falls out, Hill House is one of the places to land. A small room with a cot and a metal toilet, three meals and two snacks served in the communal dining room. Two smoking rooms to choose from, one with a television…

*

I enjoy the bicycle ride to work through the morning streets. It’s one of the only times I can cruise comfortably along the main arteries because traffic isn’t out in full force yet. I like the industrial view of the harbour where the the cranes tower a bloody red in the eastern light.

The hidden city is the city I love, the industrial structure beneath the superficial trappings of commerce and modernity. Men in steel-toed boots with thermoses, sanitation workers, dozing cabbies pulled off into the side streets, third-watch paramedics grabbing morning cups of coffee before punching out. The working city.

Maybe this is why despite the shit and piss and hard labour, I like Hill House. I like being on the underside of things, instead of the topside. I like being where things start or end, not necessarily where the status quo plays itself out on the surface world.

And I wonder what it is like to be one of the residents standing on that dilapidated porch, smoking, hands trembling, endlessly watching the street. Without much money or mobility, and with addiction casting a shadow over part of your brain, does the outside world look like something viewed through aquarium glass? And I wonder why it is that I feel at home here?

*

A smell sticks in my nostrils even after I leave the building. The sweet smell of human dirt and closed windows, stale air and dead cigarettes, lilac-scented insecticide and a floor cleansing agent (brand name: ‘Rain Dance’).  In fact there’s a flower blooming in the city this time of year that now makes me sick, I’m not sure what it is but I think it’s a type of hedge. Whenever I’m pedaling through the city I hit patches of it, pockets of a cloying, candy-ish scent. It reminds me of the hallways at Hill. I don’t know what that flower is but it makes me gag and pedal faster to get clear of it.

Wonderful Things That Have Happened When I’ve Been All By Myself

I raise the splitting maul high over head, bringing it down so as to let gravity and the length of the handle do most of the work. A fluid motion, as I’ve been taught. The maul connects with a flat thud instead of the sound like the crumbling of tiny icebergs into the sea which signals a split.

I wipe the sweat from my brow and pull on the handle to try again. When the handle doesn’t budge, I pull harder. When that doesn’t work, I put one foot on the log and use it to create leverage for another pull. I do this until my face goes red.

The maul is stuck the log like… well, unless you’ve ever had a sap-filled, water-soaked piece of lumber grab hold of a splitting maul, I don’t suppose I have anything to compare it to.

Being my father’s son, I pick up the log by the maul so that what I hold in my hands looks like the profile of the world’s unlikeliest cooking pot. Grunting, I then bang this roughly against the ground several times.

Nothing.

I do this again, violently.

Nothing.

I do it even more violently.

Sometime, around the third repetition of bringing the log and maul directly overhead and back down to earth, I feel a sudden release that sends me stumbling backward. I’ve broken the maul.

Panic threatens to overtake me.

I throw a now barren axe-handle off to one side as I struggle to maintain balance. I fall anyway. Two halves of a log clatter to either side of my head.

I bring my hands up for protection, waiting for the head of the maul to strike me in the face.

Nothing.

I get up, brushing myself off.

I look for the head of the maul for a half an hour. Nothing. My only conclusion is that the splitting maul must have lodged itself into a tree up out of eye shot before it could fall back down and cut me.

Given the duration of my search, it only seems logical that it must be stuck in the tree with something of the same force with which it had been bound to the log only moments before.

*****

I hit the seek button on the radio. My free hand drums on the side of the car, as I wait for my friend. A heartbeat of silence and a blip of static as the radio searches for a station. Someone who sounds like “Creed” sings a weirdly romantic song about Jesus of Nazareth. I move to change the station, but….

As I watch the foyer for my friend, a woman with a white sweater, gingham dress, and a visible crucifix exits the building holding a sacked lunch.

I lift my eyebrows in surprise.

I hit the button of the radio again with a touch of hesitation. Static. Then a man is dropping rhymes to a beat, weaving a tale of rags to riches with an overall theme of “I am Amazing.”

As I watch the foyer, a large black men exits wearing sunglasses, his hands deep in the pockets of his leather jacket, a wallet chain running down alongside his baggy pants almost to his knees.

Open-mouthed, I look from side to side, wondering if I have somehow found my way onto a hidden camera show.

Holding my breath, regarding my finger and the radio with near religious awe, I hit the button again. Static. A man sings along with a guitar and a fiddle about the things he’s lost and regrets most in life.

As I watch the foyer, a man with a cowboy hat, a heavily starched shirt and pressed jeans exits the building.

“Wow,” I say.

I press the button again, but it stops working after that.

*****

“I don’t fucking know what it was about, man.”

Standing in the line of the Juice shack, I eavesdrop on the high schoolers sitting at the table behind me. Mostly as a way to pass the time.

“Hold on a second, bro. I just got a text from Jennifer.”

“She’s got big tits.”

“Yeah, I know.”

The soft staccato sound of thumbs depressing buttons. I turn my attention back to my transaction as I reach the front of the line.

“I’d like a large bananarama,” I tell the juice-boy.

“Coming right up,” he says with a smile.

“So what’s this shit supposed to be about?”

I take my seat at a table, casually watching the boys as I wait for my order. They’re now both bent over their cell phones, texting and and being texted. Occasionally, their phones light up, buzz, or beep as this process continues.

“I don’t know man, I don’t fucking have time to figure it out. It’s bullshit we’ve got to do this anyway.”

“Such fucking bullshit.”

They both bend with complete, rapt attention over their phones as they continue to beep and click. If I close my eyes, it almost sounds like someone speaking Swahili to a bird.

“Ugh, we’ll just copy off Nick. I don’t want to do this anymore.”

More clicking. More buzzing. More beeping. The boys can’t seem to focus longer than few seconds without becoming distracted.

I look over at the title of the story they’re supposed to be reading as I leave. The story that’s got them so puzzled. I’m curious to know what it might be.

The title of the story is: “Harrison Bergeron.”

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